“Los Das Kahlo” is painted in the year 1939 in oil on canvas with dimensions 173 x 173 cm, it is located in the Museum of Modern Art of Mexico. The first aspect we see is a double self-portrait, in which the two Fridas are sitting on a bench. It is easy to see that both Fridas are connected by hearts, which we see through their clothes. Hearts also have arteries, which connect both Fridas by the hand. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay Each Frida wears different styles of clothing, it is stated that one represents the European Frida and the other the Mexican Frida; The European shows that her white dress is stained with blood due to a severed artery, meaning her heart is not complete; while the Mexican Frida holds a mini portrait of Diego Rivera in her right hand, demonstrating that her heart is complete. The first impression that this painting gives us is the duality of Frida, it gives the imaginative and prescient double that Frida has about herself, that on the one hand she is robust and in love and on the other she is completely heartbroken, on the other this Frida she is assumed to be aware of the pain and fatigue this causes her because her white dress is stained with blood. This painting is strongly marked by the line, especially as regards the human figures, which have a drawn ending; However, he no longer abandons color because he uses it to distinguish between the two: the one dressed in white suggests his European side (his mother was Spanish), beyond what his society expects and the other is perceived as more colorful is the Mexican Frida, and are the clothes she wore to please her husband (Diego Rivera). Composition: Frida Kahlo opts for the use of linear perspective, fixing the vanishing point in the union of each Frida's palms, in this way, the center of the painting is the ambivalence that someone can have, in this case herself, but at the same time these two different elements are profoundly united. He points out the immense comparison that exists between the closed and stormy sky with the burning of the earth of the duality that exists between heaven and earth, existence and death, the latter is excellently reflected in the hearts, and that is in excellent condition , still beats and the alternative is to have a broken heart, which marks an exceptional assessment from those aware of the duality of heaven-earth, life-death, the latter manifests itself best in hearts because one beats and the other is damaged . The theme of duality is present in all aspects of the composition of the "two Fridas". Historical context: In 1939 this particular work is painted, this year is very vital and is considered a key point for universal and Mexican history. At that point the president of Mexico became Lázaro Cárdenas, his government sympathized with the republic since the beginning of the Civil War, and one of the main objectives became to save from the war and the French encampments all those who had opposed the well-known dictator of Mexico. Spain. It is expected that 25% of the exiles were intellectuals or elites, for them the house of Spain was founded in Mexico, this proximity became centralized so that each of them could preserve with their studies and paintings their specialty away from a hostile environment. , This represented a great improvement in culture, education and scientific studies in the host country, that is to say, the American continent was enriched in an essential way with the appearance of this type of intellectuals. After the revolution of 1919, Mexican art developed the search for a national identity and a movement called muralism was born, represented by: José Clemente Orozco, Diego Rivera, David Alfaro Siqueiros,.