Symphony n. 5 in C minor op. 67 is one of the best known and most performed compositions of the classical genre. The symphony is used throughout pop culture around the world and is often played at the inaugural concerts of new orchestras. The classic four-note "destiny motif" is one of the most recognizable openings in music history and features prominently in a variety of contexts throughout the piece. Although this symphony was not as influential to listeners during the time Beethoven was alive, the 19th and 20th centuries popularized the piece and it has been considered the epitome of Beethoven's musical style during the height of his musical career between the composers. musical directors and musicians. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essay The form and instrumentation of this piece is very different from the pre-symphony pieces as performances of this work can range from 30 to 40 minutes in length. Not only did this piece further extend the lifespan of the symphony, but the demands placed on the musicians for whom Beethoven composed the music were so demanding and dense that a performance of this symphony was considered quite difficult to achieve in the early 19th century. century. The first movement is in C minor, is marked Allegro con Brio and is in a traditional sonata form influenced by Beethoven's teachers and mentors Haydn and Mozart. If you were to examine the score of this movement, you would notice that the development section is expanded through the use of different keys that increase the section in length and tension before returning to the recapitulation and coda of the movement. The second movement is in A major, is marked Andante con Moto and is in the form of a double variation. This is where two different themes are presented which are played in alternation as they are presented in contrasting styles. A long coda is also presented at the conclusion of this movement. The third movement is a Scherzo and a trio, and is in ternary form. This movement follows the classical tradition of the minuet and trio, but replaces the minuet with the faster and newer Scherzo in style. There is no pause as the third movement transitions to the triumphant and heroic finale of the Fifth Symphony. This finale is in C major, the major parallel to the original key of the first movement. Hearing this, one might suggest that this minor to major key might represent some sort of internal struggle that the fate motif clearly emphasizes. The finale shows the victory of this struggle as the movement concludes brilliantly by affirming the tonic resolution for the last eighty measures of the symphony. The instrumentation consists of piccolo, two flutes, two oboes, two clarinets in Bb and C, two bassoons, contrabassoon, two horns in Eb and C, two trumpets, alto, tenor and bass trombone, timpani in G and C and strings. However, the piccolo, contrabassoon and three trombones are only used for the fourth movement, signifying another new trend as most pieces did not feature these instruments at that time. What makes the Fifth Symphony different from Beethoven's Third is that the Third Symphony was increasingly popular during Beethoven's lifetime. The fifth achieved the fame it has today until the end of the 19th century. However, although the third symphony is called a "heroic symphony", some scholars of Beethoven's works suggest that the fifth symphony is more heroic in style and form than the third since once again there seems to be some kind of general depiction of a battle . or fight that comes.