IndexRaceBlackness as Black Magic?Black Magic on the Bucknell CampusAnd Now?The connection of Black Magic to Blackness has been subordinated to the narrative of race. Through a socially accepted concept such as that of race, Black Magic tends to resume the narrative that has not been forgotten and erased. One concept I've talked about extensively before is the idea of ​​racial erasure. For each of these relationships to make sense to the academic mind, an explanation of race must be addressed in order to create a common theme to link blackness, race, and black magic together. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an original essayRaceThe idea of ​​race is a concept that signifies and symbolizes social conflicts and interests by referring to different types of human bodies. By understanding race through a scientific, historical, and social lens, it is evident that race can have several meanings that continue to hold the world up as a barrier to progress. As a society, we ask race to do too much. We have not come to accept that race cannot answer all our questions. The question of whether another person's belief or perception of race should be more validated is at the forefront of political chaos in America. After extensive research and reading related to race, blackness, and erasure, it is important to note the factors that continue to diverge ideas about race among people. Although the social creation of race dates back to the mid-15th century, it is equally important to understand the historical implications that continue to influence the idea of ​​race today. Race has often been the product of scientific thinking. Race was thought to be a biological factor. The theory has been coined, but the experiment has been subject to limited research, so the theory is still unsolved. The main contrasting element of race as a scientific theory is that no race has a complete set of individualistically defining phenotypes or genotypes that are sufficiently accurate to originate from a specific race. WEB Du Bios' article on The Souls of Black Folks helps answer the question: why we should reconsider the concept of race. The original concept of race is defined by differences in the visibility of racial groups in different countries. From the physical point of view, race includes blood, language, common history, impulses, ideal of life and commitment. Split down the middle is the spiritual aspect of the race which encompasses the traditions of specific races. By understanding the tradition of a culture, we learn that there must be a common history, language, and impulse that groups these individuals together. Within Du Bios' argument, he argues that the idea of ​​race can be equated with civilization. The truth is that we are asking the race to do too much; there is nothing in the world that can do everything we ask the “race” to do for us. Appiah's theory approaches society in the concept of race, instead of deepening the understanding of the individual. Appiah believes that defining lines of race are unnecessary if we focus on civilization. Since Appiah is an Eliminativist, he believes that races do not exist and that acting as if they do is dangerous. His circular theory of race constitutes a history of common events or a socially created entity. Blackness as black magic? The infamous Tina Turn once said "I know the difference between black magic and white magic", it is through her observation that the notion of black magic is constructed negatively. Black magic has often been the descriptive factor of Blackness over the years. TheMy short article was constructed to add a new twist to the black magic narrative, in the hope that it offers a new perspective on Blackness as a form of black magic. Black magic's connection to Blackness has been subordinated to the narrative of race. . Through a socially accepted concept such as race, Black Magic tends to recapture the unforgotten and erased narrative. A concept I have spoken about extensively previously is the idea of ​​racial erasure. Claudia Rankine’s “Citizen” helps represent the ideal of racial erasure that is housed in the everyday experience of the black body; also, darkness. In my ENLS 290 course with Professor Gillespie, Erasure, we worked with the concept of racial erasure and its impact on blackness. One very important conversation we had centered around the infamous musical Hamilton. Lyra D. Monteiro's article, Color-Blind Casting: Thomas Jefferson and the Erasure of the Black Past in Hamilton, exploits the hypocrisy found in whiteness. Hamilton is the modern version of the story of America's founding that no one wants to revisit. With a predominantly colorful cast, the production of Hamilton seeks to bring black bodies back into the theater. In lieu of recent Oscar results, it seems fitting that productions like Hamilton continue to grow and inspire people of color to take a stand on the narratives they choose to create. Hamilton represents one of the few colorful productions that have been put in place to inform white people that not all plays will speak to them. Invalidating the white experience means challenging the social norm that what is white should always be considered right. I consider Blackness to be black magic because of the magical aspects it encompasses. Through Blackness, narratives of Black bodies have been constructed in a critical perspective to fit the white narrative that society has constructed. Black Magic encapsulates the experiences of Black bodies and uses them to break the stereotypical narrative of Blackness. Philosophy and race have strong ties to erasure because they help bring the full effect of race and its relationship to blackness; also, Black Magic. A few days ago we were lucky enough to talk to a band called Death. It is through this presentation that I was able to work with the idea of ​​decolonizing black magic. Simply, how to get to the roots of the problems facing black people. As I will mention in later parts of my writings, Bucknell has done an exceptional job of making Blackness accessible to all students through the Griot Institute and Africana Studies departments. Black magic has always carried with it a negative connotation of promoting violence and death. The misconception of black magic dates back to the creation of the religions Voodoo and Satanism. It was through these religions that early Europeans classified their believers as evil. Before the creation of Blackness and the race, the use of Black Magic began to emerge as an entity that would kill humanity. Since the creation of both Blackness and race, black magic has been erased and reinserted as a tool to destroy and erase the black narrative. Through the social, historical, and scientific constructions of race, black magic has made its way into everyone's narratives. The concept of Blackness connects to race through the creation of the Black Diaspora. It is through the Black diaspora that race plays its role in separating individuals based on physical characteristics. No matter the opposition it has received over the years, Black Magic shines through and is a prominent figure on Bucknell's campus. Black Magic on the Bucknell Campus “Erasure is what it is.