Analyze how the discoveries have a significant impact on a person's sense of self. Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Shouldn't Be Banned"? Get an Original Essay While discoveries can be spontaneous and inspiring, they offer us a renewed perception of the larger world from which we gain a deeper understanding of our meaning. Che Guevara's memoir, The Motorcycle Diaries (2003), highlights provocative findings about inequality and repression resulting from physical travel as a catalyst for personal transformation. Similarly, John Curran's film, Tracks (2013), illustrates Robyn Davidson's journey through the Australian wilderness in which she explores the profound ramifications of exposure to inexplicable nature that forces one to realize the intrinsic human desire for connection. Ultimately, both texts reveal how openness to new experiences and interactions with the world can trigger self-discovery and meaningful reflection. The Motorcycle Diaries illustrate the transformative impact of Che Guevara's experiences through which his self-discoveries allow us to challenge our established worldview. . The physical journey through South America exposes him to serendipitous confrontations and discoveries of class consciousness, stimulating a profound reevaluation of his peripheral values ​​and beliefs. The memoir is structured as a chronological narrative-style diary, where each diary entry highlights Che's gradual transition from an upper-middle-class student exposed to underlying injustices, to a political luminary fighting for revolutionary change. Through Che's thoughtful voice, "the person who wrote these notes died the moment his feet touched Argentine soil again," the reader is presented with elements of a Bildungsroman that convey his evolving personality as the memoir unfolds, creating an intimate connection as the audience is taken along the journey. However, he presents his findings from a singular perspective, acknowledging its formal limitations through the inclusive language of “readers will not be well-versed in the sensitivity of my retina.” This basic statement establishes an authentic relationship between reader and composer, inviting the audience to indirectly achieve self-discovery in the form of knowledge. In doing so, he urges the reader to examine the multifaceted nature of truths, “you can believe me or not,” and to seek one's own truth as discoveries and their impact on an individual's self depend on his or her openness to experiences and interactions. Tracks, Robyn's physical interaction with the Australian desert enables a personal transformation, in which she adopts renewed perceptions of the importance of human connection. Curran's use of film form communicates the process of discovery as a gradual accumulation of emotions and experiences through which one may search for one's true self. Initially, Robyn rejects human connection through the imperative "Leave me alone!", only to discover her loneliness in the absence of her beloved dog, Diggity. Curran's use of cross-cutting, with an escalating soundtrack, suggests a parallel action that creates tension and suspense in the run-up to Diggity's death, emphasizing the paralyzing effect of isolation on a man's self. individual. At the height of Robyn's isolation, she openly declares her pain and grief before stating, "I'm so lonely," to which the camera zooms in to produce a wide shot that juxtaposes her loneliness with the barren desert. Consequentially,.