Rosso often argued with his clients and at a certain point was blacklisted by his fellow artists. Looking closely at Arts by Rosso raises questions about the boundaries between human and divine creation, to what extent one can take place, and the artist's divine power to instill "dead things" with a sense of life in their artistic creations. (Hamburg, 1988). Mannerism received much criticism and violated the artistic values ​​of the Renaissance. Rosso received great esteem from Vasari, an eminent historian, who described him as "a man of splendid presence, with a graceful and serious way of speaking, a good musician and with knowledge of philosophy". Perceptions of Mannerist arts have fluctuated over the years and have recently received positive comments. Rosso's desire to shock and rebel against accepted standards makes his arts stand out from the arts of his time. Rosso's arts are indeed a beautiful sight to behold but they violate ideas widely held in the world