It seems likely that the stone slab was actively given its triangular, tapered shape, apparently by giving it a frame. This subtle border effect flawlessly suits its magnificent features and at the same time forces the viewer's gaze towards the most imperative elements. At the same time, the lateral positioning of the multiple figures present leads the viewer's eyes directly towards Naram-Sin, illuminating his great divine prominence. It is indisputable that one can conceptualize this arrangement of compositional elements to express the fact that Naram-Sin identifies himself as a god, something unusual for this range in